This is a headshot of writer Pat Brothwell wearing a Hawaiin shirt.

My first memory of writing something was co-creating an illustrated short story with my friend Vitz during 4th-grade recess. I don’t remember the title or plot, only that it involved—possible cultural appropriation alert (but suffice to say we were 10, and it was the 90s)—a group of Lilliputian Hawaiin villagers battling anthropomorphic animals of some kind (don’t ask, I don’t have answers). 

After elementary school, much of my writing was not entirely secret but definitely under the radar. I came of age in a small, rust belt-adjacent Pennsylvania town that the NY Times once described as “gulag-like,” a fact that I love to trot out because it’s both a real indictment of how the right has been able to weaponize the concept of “coastal elites,” and not entirely inaccurate. As you can imagine, this gulag-like existence wasn’t exactly conducive to me thinking being a writer was a viable career choice.

So, I did the next best thing so many aspiring great American novelists without the funds or background knowledge required to pursue MFAs do: I majored in English Lit and Secondary Education at a lovely liberal arts college (the University of Scranton—truly one of the best choices I’ve ever made for a variety of reasons, chiefly among them the fantastic, long-lasting friendships it fostered). 

Upon graduation, I embarked upon a 5-year stint as a public high school American Literature and Creative Writing Teacher in Lancaster, PA. I also ran the high school’s job shadowing program and was the Yearbook advisor for four years before agreeing to step down once it came to light that my subpar editing skills (I was 24, and it was the early aughts!) missed a student sticking his finger through his open fly in the senior class photo (no one ever referred to this as finger-penis gate, but I sort of wish they did). 

While this now seems like a lifetime ago, it was a foundational time for me both as a person (I believe that if the U.S. mandated that everyone do a stint teaching public high school the same way some countries do military service…we’d be in a much different place than we are right now) and a writer.

Teaching shaped much of my writing philosophy, including that there’s nothing wrong with broad, easily digestible content, being a style-centric writer just because you have that skillset isn’t always the best approach, and that sometimes the tangents are where the most significant revelations are made. And only five years provided me with a lifetime of wild stories and observations. 

Summers off also gave me the opportunity to write several manuscripts that I pitched (rightfully) to no avail and start a blog that taught me about consistency, having a POV (that blog…did not have one), building a brand, and netting me a couple of press trips on small, southern Pennsylvania tour companies; it showed me that there was some potential after all, in making writing a paying career. 

After becoming disillusioned with the state of American education and sick of being middle-class-fancy poor, I transitioned out of teaching and, frankly, had a couple of years that professionally and personally were transitionary and tough, and the less said about them, the better, with the major takeaway being that I’m fortunate to have the familial support I do (although it is worth mentioning, speaking of a job that gifts you wild stories and observations, that during this time I had a stint at a call center in an office park outside of Scranton that felt like an Office parody every single day). 

While I’m deeply nostalgic, I’m also someone whose own experience has given me the stance that we too often romanticize youth when getting older is much more preferential, stress-free, fun, and productive. It’s been in my 30s (which are, admittedly, reaching closing time) that things have really come together for me professionally and personally. 

I’ve found professional success as a content writer for my day job, which I know some capitol-W writers look down on, but I’ll defend passionately for any writers looking for a steady income and solid benefits. If it seems like I have a little bit of a chip on my shoulder about this, I do. That being said, I feel fortunate that I get to do what I love for a living, make a livable wage, and thus can afford to pursue my passion projects on nights and weekends (newsflash: no one gets into writing for the money). 

I came out right at the start of my 30s, too, which, aside from a hefty personal weight being lifted, has made my writing 100% more honest and shown me that people can change their minds and viewpoints with patience, grace, and the right information. I also relocated from Pennsylvania to Asheville, NC, just pre-pandemic. This helped further exacerbate my writing career as there’s a long literary tradition here in Western North Carolina, coupled with so many people in Asheville having artistic side hustles. All of this has culminated in finally helping me shed the imposter syndrome I’d, unfortunately, let badger me so significantly. On the writing front, I’ve never been so professionally or personally prolific as I have the past few years. I’ve also never been as confident in my writing abilities, the convictions I often write about, and what I’d like to accomplish through the words I publish. 

Currently, I work remotely as a marketer here in Asheville while I pursue a number of literary pursuits in my off hours. I blog at www.ashevilleexplorer.com, a mix of a travel/lifestyle blog mixed with a healthy element of observational humor and self-satirization (I’ve also found that it’s great for me to have an outlet where I’m accountable to no one but my thoughts and whims). I’m a somewhat regular op-ed contributor to the local Asheville Citizen Times, where I mainly try to dismantle the hypocrisy of our state and federal Republican representatives (doing my part to help fast-track the purple-ing of NC). I dabble in fiction (I was vehemently anti-short story for years for whatever reason, though now it’s primarily what I read and create) and write non-fiction freelance pieces on a variety of subjects.

About Me

My Writing Philosophy

I believe the best writing—fiction or nonfiction—challenges a preconceived notion, belief, stereotype, or status quo. I also fear that this will become one of those heady, vague, hard-to-pin-down writing philosophies I typically despise because I also believe that writing is an extremely personal thing. If you’d like to simply recount your vacation or review a restaurant you love, then those things are an excellent use for writing talent, even if they challenge or disrupt nothing (we really could use a lot fewer disruptors in the world)—I’m a big believer in two things can be true at once, a theme you’ll see come up again and again in my work and on this site (and clearly a huge believer in em dashes). 

I firmly believe that making writing accessible to more than less people should be the goal. That doesn’t mean dulling your edges, softening your takes, or broadening niche areas of interest (niche pieces created for niche audiences are one of the great joys of writing) but headiness and style simply to demonstrate that you’ve mastered both, in my opinion at least, is sort of the antithesis of good writing. “Challenging” readers just to showcase your intellect is the same shit.

Speaking of “good” writing. I also firmly believe that writing is extremely subjective. We all have what we feel is good or bad writing and what resonates with us, and I think good writers and readers are able to discern between what’s good, what’s bad, and what’s say, competent, solid writing that just doesn’t do it for you (Stephen King is that for me…his stories don’t really resonate, but I’m not going to say he’s a bad writer because he’s not for me; I can still admit that his craft, imagination, and output are solid, not to mention that he seems like a cool dude who’s written my favorite book on the craft of writing, even though I’m not drawn to his particular brand of storytelling). 

So, keeping in mind that these are my subjective takes, here are some of my other thoughts that contribute to my overall writing philosophy: 

  • I don’t like when I can see effort—a metaphor for the sake of metaphor feels like a creative writing class assignment more than anything else. 

  • You can absolutely market broadly and court the SEO goods (while they still exist) without being cookie-cutter. 

  • Wanting your work to be successful isn’t a bad thing (Shakespeare being a 15th-century sellout who played to the masses is a hill I will die on), but completely altering your views to be successful is. 

  • Hot takes for the sake of hot takes are just as tired as figurative language for the sake of figurative language.

  • Asides are fun. 

  • No plot can be fun if I’m having fun. 

  • I’m personally a fan of the Oxford comma, but dislike/don’t understand people who make it their personality. In the same vein, good grammar has a place, but it’s like etiquette: the bones are good, but much of it is gate-keeping bullshit. Grammer-wise, figure out what’s actually important, and feel free to iterate on what works for you after that. 

  • Show, don’t tell. 

  • There’s nothing wrong with not making people read between the lines. There’s no demerit in being explicit. 

  • Don’t willfully use stats, data, or quotes out of context (but feel free to use quotes out of context when critiquing someone who constantly does it themselves—they deserve the infuriation). If you do so, at least either A) be upfront about it or B) admit to it when you’re called out. 

  • Just because you can say it doesn’t mean you should. 

  • Punch up, not down, and think about the consequences of what you write and how people can willfully misconstrue it (it’s an unfortunate reality of our current world, and though not fair, responsible writers will keep this top of mind).

  • Don’t make every interaction you have into content—I actively like Lena Dunham as a writer and creator, but we don’t need two of her. 

  • This might be contentious, but you don’t always need to be objective…just fair. I think journalism could be elevated by a little more opining and experiences interspersed between the facts. 

  • This also might be contentious (and really only applies to fiction writing), but “it was all a dream” or “someone’s imagination” is…lazy.

  • If all you write is puff pieces…maybe it’s time to reevaluate yourself (but also: get that $). Starting every profile, for example, by building someone up to an embarrassing degree isn’t great. Writing can absolutely be a conduit to networking and connecting, but neither has to be sycophantic. 

  • Writers need to be paid. As long as you’re not hurting anyone, there’s no shame in accepting well-paid gigs that don’t fully align with your passions.